Gully Boy Box Office Collection Day 1: Ranveer Singh and Alia Bhatt starrer starts with a bang!
Bollywood actor Ranveer Singh and Alia Bhatt starrer Gully Boy has got a bumper opening at the box office from its first day. The opening day figures are proving that the film really is going to make a big in the overall weekend. As the film released on Valentine's Day, it got 40-42 percent occupancy and if believe to the media reports the film has collected in double digits on its very first day.
According to the trade expert Taran Adarsh, the film Gully Boy collected 19.40 crores on its very first day, and now the film will see growth in another weekend days as well. Let us tell you that the film has released on 4101 screens worldwide, in which 3350 screens in India, whether 751 screens in overseas.
#GullyBoy is Ranveer Singh’s second biggest opener... Lower than #Simmba... Higher than #Padmaavat... Opening Day:
— taran adarsh (@taran_adarsh) February 15, 2019
1. #Simmba ₹ 20.72 cr
2. #GullyBoy ₹ 19.40 cr [Thu; revised]
3. #Padmaavat ₹ 19 cr [Thu]
4. #Gunday ₹ 16.12 cr
5. #GoliyonKiRaasleelaRamLeela ₹ 16 cr
India biz.
According to box office India, the film 'Gully Boy' has got massive response in Mumbai and Pune and this helped the film to get a huge collection on Day 1 only. The reports are also that the way Gully Boy has got box office occupancy in Mumbai and Pune that Ranveer Singh not received with his last two hit films Padmaavat and Simmba.
#OneWordReview…#GullyBoy: FANTASTIC.
— taran adarsh (@taran_adarsh) February 14, 2019
Rating: ⭐️⭐️⭐️⭐️
Depicts the struggles of an underdog brilliantly... Zoya Akhtar’s best film to date... Ranveer is phenomenal... Alia is electrifying... Siddhant Chaturvedi is super... Not to be missed! #GullyBoyReview pic.twitter.com/f6phWdsb7Q
Let us tell you that Zoya Akhtar directorial Gully Boy is actually a story of street rapper Murad who becomes a popular rapper Gully Boy. The film was also get a premiere at Berlin Film Festival and after the worldwide, it got huge positive response from critics and the audience.
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First published: 15 February 2019, 11:13 IST